by Meg Sefton
The body is in a bag. The body is on a cart. The body rolls out of the bedroom. The body rolls out of the living room. The body rolls by the family pictures. The body rolls through the kitchen. The body bumps over the threshold to the garage. The body rolls past the family cars. The body rolls past the hedge trimmed just last week. The body rolls by the neighborhood children. The body stops so a child might tie a red balloon to the cart. The body bumps down the sidewalk. A girl showers it with flowers. The body sits next to a homeless man for a while. The man unzips the bag and relieves the body of its wedding band. The body leaves the man behind and zooms through the traffic. The body runs a red light. Cars careen around the body. There is screeching, smashing, crunching, grinding, someone screaming, metal and glass flying.
The body goes to a museum. It rolls past the canvases thick with paint, heavy with fevered dreams. The body visits animals at the zoo. It is shat upon by a monkey who tries to feed it peanuts where a mouth should be. The body rolls past a river where it races a barge filled with coal. At the dock, the body is saluted by a soldier. At the church, it is hurriedly blessed by a Father who sprinkles holy water on the shitty body bag. Downtown, a whore straddles the body and gets off. A dope dealer smuggles his stash under the torso.
At the hospital, nurses shake their heads knowingly as the body rolls through the halls and out the exit. At the bank, the teller willingly gives over all of the money to the body she’s so frightened. The money flies out of the surrendered bag as the body flies down the street. Men and women and children take what they can. The children buy candy. The men and women go to bars, take their spouses out, plan parties.
The body crushes a wife beater. The body rolls over a rapist. The body cuts a politician off at the knees. The body goes to a concert. He rolls through a mosh pit. He helps carry a crowd surfer. The concert-goers find the dope and are grateful. The body gets arrested. The body gets put in jail. The body busts out and goes on the lamb.
The body finds a family who needs a body, a family who isn’t upset by a body but who just wants some other body to hang out with somewhere on the outskirts of town where a body can be a somebody and not the nobody which many would have him believe he is.
Meg Sefton’s work has appeared in Best New Writing, The Dos Passos Review, Danse Macabre, Chrome Baby, Asylum Ink, and other journals. She received her MFA in Fiction from Seattle Pacific University and lives in Winter Springs, FL with her son and little white dog “Annie.”